<<
>>

Bibliography

Agnew, V. (2020) ‘Suffering’, in Agnew, V., Lamb, J. and Tomann, J. (eds) The Routledge Handbook of Reenactment Studies: Key Terms in the Field, London, Routledge, pp. 213-218.

Amnesty International (2015) ‘“Black Friday”: Carnage in Rafah during 2014 Israel/Gaza Conflict’ [Online].

Available at blackfriday.amnesty.org (Accessed 25 November 2018).

Derrida, J. (2006) Specters of Marx: The State of the Debt, the Work of Mourning and the New International (trans. from French by Peggy Kamuf), London, Routledge.

Dubrow, H. (1996) ‘Introduction: The Status of Evidence’, PMLA/Publications of the Modern Language Association of America, vol. 111, no. 1, pp. 7-20.

Gallanti, F. (2020) ‘Forensic Architecture’, in Agnew, V., Lamb, J. and Tomann, J. (eds) The Routledge Handbook of Reenactment Studies: Key Terms in the Field, London, Routledge, pp. 79-83.

Jansa, J. (2012) ‘Reconstruction2’, in Jones, A. and Heathfield, A. (eds) Perform, Repeat, Record: Live Art in History, Chicago, Intellect, pp. 367-384.

Kosinski, D. (2018) ‘After Performatics’, Performance Research, vol. 23, no. 4-5, pp. 262-265.

Kusmirowski, R. (2014) ‘Traumgutstrasse’, in Traumgutstrasse, Warsaw, Akademia Sztuk P⅛knych, pp. 53-60.

Mbembe, A. (2003) ‘Necropolitics’ (trans. by Libby Meintjes), Public Culture, vol. 15, no. 1, pp. 11-40.

Munoz, J. E. (1996) ‘Ephemera as Evidence: Introductory Notes to Queer Acts’, Women and PerformanceA Journal of Feminist Theory, vol. 8, no. 2, pp. 5-16.

Pickering, P. (2020) ‘Evidence’, in Agnew, V., Lamb, J. and Tomann, J. (eds) The Routledge Handbook of Reenactment Studies: Key Terms in the Field, London, Routledge, pp. 57-62.

Sajewska, D. (2019) Necroperformance: Cultural Reconstructions of the War Body (trans. by Simon Wloch), Zurich, Diaphanes.

Schneider, R. (2011) Performing Remains: Art and War in Times of Theatrical Reenactment, London, Routledge.

Schneider, R. (2012) ‘Performance Remains’, in Jones, A. and Heathfield, A. (eds) Perform, Repeat, Record: Live Art in History, Chicago, Intellect, pp. 137-150.

Schuppli, S. (2020) Material Witness: Media, Forensics, Evidence, Cambridge, MA, MIT Press.

Taylor, D. (2003) The Archive and the Repertoire: Performing Cultural Memory in the Americas, Durham, Duke University Press.

Urbanska, K. (2014) ‘To dream lucidly’, (trans. by Karolina Banach) in Kusmirowski R., Malecki M. (design) and Zgierski J. (eds), Traumgutstrasse, Warsaw, Akademia Sztuk P⅛knych, pp. 72-80.

Weizman, E. (2014a) ‘Introduction: Forensis’, in Forensic Architecture (ed) Forensis: The Architecture of Public Truth, Berlin, Sternberg Press, pp. 9-34.

Weizman, E. (2014b) ‘Matter against Memory’, in Forensic Architecture (ed) Forensis: The Architecture of Public Truth, Berlin, Sternberg Press, pp. 361-380.

Weizman, E. and Keenan, T. (2012) Mengeles Skull. The Advent of a Forensic Aesthetics, Berlin, Sternberg Press.4

<< | >>
Source: Agnew Vanessa, Tomann Juliane, Stach Sabine (eds.). Reenactment Case Studies: Global Perspectives on Experiential History. Routledge,2022. — 366 p.. 2022

More on the topic Bibliography:

  1. Bibliography