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Agnew Vanessa, Tomann Juliane, Stach Sabine (eds.). Reenactment Case Studies: Global Perspectives on Experiential History. Routledge,2022. — 366 p.. 2022

Reenactment Case Studies: Global Perspectives on Experiential History examines reenactment's challenge to traditional modes of understanding the past, asking how experience-based historical knowledge-making relates to memory-making and politics.Reenactment is a global phenomenon that ncompasses living history, historical reality television, performance art, theater, historically-informed music performance, experimental archeology, pilgrimage, battle reenactment, live-action role play, and other forms. These share a concern with simulating the past via authenticity, embodiment, affect, the performative and subjective. As such, reenactment constitutes a global form of popular historical knowledge-making, representation, and commemoration. Yet, in terms of its historical subject matter, styles, and subcultures, reenactment is often nationally or locally inflected. he book thus asks how domestic reenactment practices relate to global ones, as well as to the spread of new populisms, and postcolonial and decolonizing movements. he book is the first to address these questions through reenactment case studies drawn from various world regions.Forming a companion volume to the Reenactment Studies Handbook: Key Terms in the Field (2020), Reenactment Case Studies s aimed at a wide academic readership, especially in the fields of istory, film studies, memory studies, performance studies, museum and heritage studies, cultural and literary studies, and anthropology.

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Introduction
Global Reenactment, Local Practices?
Vanessa Agnew, Sabine Stach, and Juliane Tomann
PART I RAISING QUESTIONS OF EVIDENCE
Reenacting 9/11 on Screen
James Chandler
Crime Scene
Reconstruction in the Works of Forensic Architecture and Robert Kusmirowski
Dorota Sosnowska
Indigenous, I Presume?
Unexpected Outcomes of Repatriation and Reenactments of Photographic Archives in the Upper Amazon
Christian Vium
PART II REAFFIRMING UNDERSTANDINGS OF THE PAST
In Honor of the Forefathers
Archaeological Reenactment between History Appropriation and Ideological Mission. The Case of Ulfhednar
Ralf Hoppadietz and Karin Reichenbach
Retracing the Revolution
Partisan Reenactments in Socialist Yugoslavia
Nikola Bakovic
Reenacting the Revolution
The Sacred Site of Yan'an in Contemporary China
Marc Andre Matten
Reenacting Japan's Past That Never Was
The Ninja in Tourism and Larp
Bjδrn-Ole Kamm
PART III CHALLENGING NARRATIVES ABOUT THE PAST
“Are We Heroes Too?”
Reenacting the 1949 Offensive against the Dutch Occupation in Yogyakarta, Indonesia
Lise Zurne
Expedition and Reenactment
Recovering the Ottoman Past through Creating the Evliya Qelebi Way
Donna Landry and Gerald MacLean
“You can't just put men in the field and be accurate”
Women in American Revolutionary War Reenactment
Juliane Tomann
PART IV RESTAGING LIVES
Exhibition as Reenactment
Kazimir Malevich at the Tretiakov Gallery, 1929
Marie Gasper-Hulvat
The Body as Time Machine
Reenactment in Lola Arias's Documentary Performance
Brenda Werth
On Motives for Reenactment
The Example of the Kindertransport
Bill Niven
PART V NEGOTIATING JUSTICE
Reenacting the Cambodian Genocide
Performances of Memory in Ella Pugliese’s Documentary Movie We Want [u] to Know (2009)
Stephanie Benzaquen- Gautier
Performing Violence
Trauma and Reenactment in Documentary Film
Charley Boerman and Boris Noordenbos

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