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Notes

1 I should note that throughout the chapter, I use a slash between “auto” and “biographical” to signal that the performers onstage are reenacting both their own lives and the lives of their parents.

2 All quotes from Lola Arias’s My Life After are from the text translated by Daniel Tunnard with revisions by Jean Graham-Jones.

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Source: Agnew Vanessa, Tomann Juliane, Stach Sabine (eds.). Reenactment Case Studies: Global Perspectives on Experiential History. Routledge,2022. — 366 p.. 2022

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