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Johnson, Philip Cortelyou b.July 8, 1906; Cleveland, Ohio d. January 29, 2005; New Canaan, Connecticut

Leading twentieth-century architect who was a Nazi sympathizer during the 1930s. Johnson graduated from Harvard Univer­sity with a degree in philosophy in 1930. As the first director of the Architecture De­partment at the Museum of Modern Art in New York City, Johnson was involved in or­ganizing the famous International School of Architecture Exhibition at the museum in 1932.

He coauthored the book, Interna­tional Style: Architecture since 1922 (1932), with architectural historian Henry Russell Hitchcock and is thus regarded as one of the coiners of the term International style. After the exhibition, Johnson toured Nazi Germany. He was fascinated with Fascist aesthetics and he sympathized with Nazi ideology. Back in the United States, John­son flirted with the populist right-wing politician Huey Long and in particular with the notorious antisemitic radio priest, Fa­ther Charles Coughlin. Johnson published antisemitic articles in Coughlin’s journal Social Justice. In 1939 Johnson went back to Germany at the invitation of the Nazi Pro­paganda Ministry. As a guest of the Nazi government he followed the German army on its invasion into Poland and witnessed the bombing ofWarsaw. Back in the United States, he was investigated by the FBI but continued to defend the Nazis. In 1940 Johnson went back to Harvard to study ar­chitecture, graduating in 1943 and entering military service. He returned to his former position at the Museum of Modern Art in New York in 1946, remaining until 1955, when he started his own architectural firm.

After the war, Johnson repented for his pro-Nazi views. He designed a synagogue, Kneses Tifereth Israel in Port Chester, New York, free of charge. Johnson also wrote a brief foreword to Rachel Wischnitzer’s still- influential 1955 book, Synagogue Architec­ture in the United States: History and Inter­pretation.

The art historian Wischnitzer was a Jewish refugee from Nazi Germany. After the war, Johnson emerged as one of the leading modern architects in the United States and beyond. In 1949 he designed the now classic Glass House as a residence for himself in New Canaan, Connecticut. The German-born architect Ludwig Mies van der Rohe (1886—1969) had a major impact on Johnson, who had organized Mies’s first trip to America. With Mies, Johnson de­signed the Seagram Building on New York’s Park Avenue in 1958, a landmark interna­tional style skyscraper. Johnson was also in­volved in the Lincoln Center for the Per­forming Arts project in New York in the mid-1960s. Famous buildings by Johnson are the Pennzoil Building in Houston (1976), the AT&T Skyscraper in New York (1984), and the Pittsburgh Plate Glass Company (1984). The AT&T Skyscraper with its curious Chippendale top is re­garded as one of the first postmodern sky­scrapers because Johnson employed historic styles, an approach that International style architects hitherto had emphatically re­jected. Philip Johnson was the first recipient of the Pritzker Architecture Prize in 1979. He semiretired in 1989 but continued to design buildings in the United States and abroad until his death at the age of 98.

Tobias Brinkmann

See also Mies van der Rohe, Ludwig

References and Further Reading

Schulze, Franz. Philip Johnson: Life and Work.

New York: Knopf, 1994.

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Source: Adam Thomas. Germany and the Americas: Culture, Politics, and History. ABC-CLIO, 2005. — 1365 p.. 2005

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